Thursday, November 10, 2011

Becoming a Man

A little boy walked up to his father one day, and saw that his father was cutting down a tree. "Why," asked the dew-faced youngster, "are you cutting down that tree?"

His father looked at him with a surly grin and said lovingly, "This is a thing a child cannot understand; but you will know the answer when you become a man."

The angelic child, saddened that he could not yet understand his father's motivation, but feeling light in heart at the knowledge that he someday would, walked away.

Years passed, and the boy saw his father cutting down many things--trees, bushes, people with high opinions of themselves, and paper lanterns--and every time, he asked his father why. His father, eyes sparkling like grape juice, always answered the same way: "This is a thing a child cannot understand; but you will know the answer when you become a man." The boy, still a boy but wiser now, smiled himself, and said, "OK." As he walked away, a tear came into the father's eye. He had heard a slight crackle in his son's voice, a sound that meant the long-awaited moment of knowledge was close enough to touch.

Finally, the day came when the boy was a man. His father was standing out by the barn when the boy approached him. As he drew near, the father turned. In his hand was a hatchet.

"Here is a thing," said the father, "that a boy cannot understand."

The boy waited in anticipation, trembling with the excitement of anticipated knowledge.

"A man has a job, a job no one else can do. He must cut things down. Things like fear, anger, hatred, fury, sadness, depression, greed, avarice, indiscretion, intemperance, and terror. These are things a man must cut down and destroy. But there is another side to this, a side perhaps more important. A man must plant something good to replace the bad thing he has destroyed."

The boy's eyes filled with tears as he realized that he was the new tree. He fell into the old tree's arms, and then they went out, to replace evil, wherever they found it, with good.

If you love your father and America, repost this story. Share it with your friends and neighbors. Let the world know: we need more men with hatchets, and less men with hatred.

Thursday, November 3, 2011

Oboe Music

Is there anything more dull than listening to a friend playing the oboe? I would submit there is not, because I have been listening to my stupid friend playing the same piece on the oboe for over two hours, and I am bored of it. I would not be unhappy if I never heard an oboe again.

I have been playing the oboe for hours. Everyone loves it except my friend here, who hates it. I know he hates it, but I know he will listen to it. He would listen to it if I played for three, four more hours. He is not really here for the music, of course. He wants us to make our own beautiful music, as he actually said to me once. I laughed and so did he, but more ruefully. I wonder if he knows that if we made music together, I would still play the oboe.

And why does it have to be something so high pitched? I had a roommate once who played electric guitar loudly every night. He thought he was Eddie. Sometimes I wondered if he knew there were frets lower than 12. He did the thumb tapping thing, like on Eruption, until one night I erupted and found another roommate. The thing she does with her finger, when she trills, reminds me of that. The same eerie fluttering. It's unnatural, is what it is. The piano is a good instrument. I wonder why she didn't take up the piano.

I never liked the piano. The keys felt too heavy. The whole thing felt too heavy, and there's so much pressure. Good music, real music, it's created on a piano. If Beethoven had used my piano, he could still have composed his symphonies. Jim Brickman could still have written "My Valentine." I couldn't play Row Your Boat properly for over a month. I finally gave up on it. I tried the guitar, but it didn't seem feminine enough, unless I was Joan Baez, which I wasn't. So I gave up music for a while, tried interpretive dance, and, one day, while interpreting Vivaldi with my hips, I thought of the oboe, and I never looked back.

Pianos are really the ticket. Least annoying instrument, hands down. I don't love pianos but they have less capacity for annoyance. Honest to God, I'd rather hear a cat convulsing on a piano for five hours than hear 15 minutes of the most beautiful oboe music ever played. But I can't leave. I'd like to go, but of course I can't. I said I'd stay. I'm the guinea pig. Or maybe the plant. In the 70s, some lab did studies on plants. They played some plants heavy metal and some plants classical. The classical plants grew faster. The heavy metal plants died. I think it was supposed to teach me that metal will kill you. Well, isn't that the point?

Playing the oboe isn't popular. In fact, a lot of people think I mean the piccolo, which is crazy because I'd never even touch one of those things. Too fragile, and what can you play on them? I know, no one knows any of the great oboe pieces either, but that's just lack of exposure. I think you can play Flight of the Bumblebee on the piccolo. I could play it on the oboe, but I don't want to. I enjoy playing the beginning of Beethoven's 5th. Twee twee twee twee. Twee twee twee twee.

I think that was Beethoven's 5th.

Thursday, October 20, 2011

Joe and Keppler Make An Observation

“Have you ever noticed,” said Keppler, looking at the sun, “that when you look away from the sun, there are a few moments when it seems like you’re still looking at it?” Joe had made this observation in the past, often while in Keppler’s presence, but saw no need to make a big deal of it.

“While at the market Tuesday, I found a squash that was shaped quite like a thigh, if said thigh were rounder, bulbous on the one end, and grew on a stalk. Do you often see vegetables that resemble things that are not vegetables?” Joe didn’t hear this question. He was trying to free his foot from a hole that rather resembled a particularly dark Vasarely piece. For him, it evoked the endless void of death. Keppler thought Joe had stepped in excrement.

Joe freed himself just as Keppler anecdoted, “In the future, I expect we’ll have computers to make observations for us. Perhaps we’ll simply point a phone, or a finger, at an object, and we’ll instantly be told what it looks like. I wonder that tree looks like?”

A child shouted across the arboretum, “It looks like a Christmas tree!”

Keppler was amused. “Would you say, Joe, that this looks like a Christmas tree?” Joe was out of earshot. He had fallen into a hole.

Saturday, October 15, 2011

Joe and Keppler Go to the Park

“How do you feel about going to the park, Joe?” asked Keppler. Keppler was really asking a rhetorical question. He knew Keppler felt good about going to the park. Joe knew this, and laughed. Before long, they were walking down the road.

“Watch out for cars, Joe.” said Keppler, supervisingly. Joe watched accordingly.

Keppler got excited a few times when he saw what believed to be the park, but which were actually, in the following order, an ice cream stand, a Pepsi can and a golf cart. Finally, they arrived at the park. Joe was unusually excited. He ran, laughing, off to his favorgite area while Keppler sat down to read.

After a few hours, Kepler had finished Goodnight Moon and Joe had dug many holes and staked out the fort. Keppler, unaware that Joe had slipped into full-on combat mode, foolishly called his name. There would have been a burst of gunfire, but since Joe didn't have a gun, he just walked out to Keppler.

"Boy, you look like you'd shoot me if you had a gun," said Keppler.

Joe didn’t laugh, but he did shake his head. Keppler removed his head from Joe’s jaws and smiled.

"I'm ready to go home." said Keppler. "This has been a plot-heavy day."

Joe agreed, his head full of memories of battles past and those yet to come.

Monday, May 30, 2011

The Parish Dog

It was the dead of summer and Saint Roch was ravaging the flowerbed. He buried his nose in the dirt, which was black and cold, and ripped away tulips with his teeth, crushing them in his mouth and scattering their petals which fell at his paws like pigeon feathers. In a few minutes’ work the flowerbed was a wasteland running ten feet along the church’s northern wall, and when not a single tulip was left standing, Saint Roch trotted off in search of further amusement. The silver pendant that hung from his neck—it wasn’t a collar-tag, because it bore the likeness of his namesake instead of a name and phone number, like the tags of less renowned dogs—the pendant bounced against his chest, and flashed like a conqueror’s stolen jewel.

Across the street a man sat in an old Dakota truck, pale green, smoking the last in a series of cigarettes. He had been watching Saint Roch with great interest, and the dog had given him an idea. He turned the key of the Dakota, which started mercifully, and drove down to a florist’s shop where he bought a bouquet of flowers. There had been no tulips, so he purchased a cluster of white lilies offset by fringed green leaves and small violet roses. The roses reminded him of soap. He had meant, in part, to kill time, but he was there and back in twelve minutes.

He parked the Dakota across from the church and walked over. Above the annihilated flowerbed was a window that, he knew, opened to the rectory and was cracked on summer days. Before he would have had to choose between standing far enough from the window to be seen by someone inside the rectory and standing right in the middle of the flowers, crushing them, but now he was able to slink along the side of the wall and stand directly under the window, which was just above his head. He resisted a wry temptation to pray to the dog’s namesake saint. He set his bouquet, which was wrapped in a red, glossy foil cone, gently in the dirt.

The position was not ideal for eavesdropping. He could make out two voices, a man and a woman’s—that is, a girl’s—but they seemed to slip out from the window and float over his head like scraps of paper caught by wind. Intermittently, a phrase would sink on a current and he would catch it:

“—should I have done? I—but it never seemed that—the Mayflower, on Tuesdays and weekends mostly, but also—and then—Sometimes I feel as if it—mine—”

“—no, that is a coward’s way—a responsibility toward you, and if he—be ashamed, and—a shame, a shame. Have you been to—”

“Yes, but they said—six of them, above my left eye, here, and both of them black—spoken since, but I keep getting texts, and they say things like—baby, I’m so—ugh, I could throw—the lake.”

“—Angeline, Angeline—I know—how pain—seventy—the Lord—Angeline.”

His concentration was broken by a flutter of wind at his feet . In a moment the bouquet was gone, carried away by Saint Roch, who was bounding gleefully into the clearing behind the church strewing white lilies and soap-roses behind him. He might have outrun the man, if he had realized how grievous an iniquity he had committed, but instead he stopped short and pounced on the bouquet as soon as he reached the shade of nearby trees. He began to rip at the foil with his claws. Saint Roch was delighted to find that he could swallow the soap-roses nearly whole, with a minimum of gnawing.

It was a brief idyll. Only seconds later he was thrown to the ground and pinned on his back, too surprised even to whimper as he was struck, again and again, in the face and in the chest. Saint Roch struggled, but a knee was in his stomach, and he could not force his way out. He tried to bite at his attacker, but wherever his head turned his jaws closed on air. He had more success with his claws, which drew blood from the tops of the man’s arms, but he couldn’t land more than a glancing blow, and meanwhile he was in great pain. Blood from his snout ran into his eyes. He continued to lash out, wild and blind, unable to cry out from his paralyzed lungs, blood matted in the light fur of his chest and the thick fur of his neck, great strings of spit mixing with the blood and wetting his shoulders, his teeth useless, his powerful hind legs powerless, and at last he felt the shattering of a rib.

The man stopped: the bone snapped so easily, like a child’s might. His moment’s pause was enough to allow Saint Roch to bound free, but it took most of the dog’s remaining strength, and he limped off into the wood. He stopped behind a tree and peered around—he was not followed, and he put his shivering head down on his paws, relieved to not have to find the strength to run.

Instead, the man stood up and began to kick at the dirt. There was blood there—whose?—but no one would see it if the earth were turned up, and the churchyard was full of Saint Roch’s holes. He picked the torn flowers up one at a time and threw them in the flowerbed, where they might blend in with the sundered tulips. The scraps of foil he put in his pocket. Then he rolled down his sleeves to cover the blood on his forearms and made the sign of the cross.

When the doors of the church finally opened he was back in the Dakota. He could not tell where Saint Roch had gone, but the dog seemed to have recovered enough to limp away. A girl came out, stepping into the damp, bright August with her sunglasses already on and her left arm in a sling. Even as she was still walking to the truck, he could see that sweat, like misplaced shadows, streaked the sides of her blouse. “My god,” she said, “but that man can talk.” She climbed into the passenger seat.

“I thought you liked him.”

“Oh I do,” she said. “He talks too much, but he has a very calming face. He looks so young; it’s like talking to a child—you know how sometimes it calms you to talk to a child? They have so much optimism, or something. He has a face like that, ageless. I mean, does he look any older to you than he did ten years ago?”

“No,” he said. “Now that you mention it, he’s very young-looking.” On a long, carless stretch of road he looked over at her, taking, as he had done before, an inventory of her physical state. Her blouse was long-sleeved, which was strange for the weather. With her face turned toward the road, he thought he could see a reddish brim around her eyes, but in the shadow cast by her sunglasses—darkened further by the purpled skin of her eyelids and cheeks—he couldn’t be sure. She had never been the crying type, but it wasn’t beyond reason. “How’s your arm?” he asked.

“Hurts,” she said. “But I’ve got the prescription from Dr. Lorven in my pocketbook. Can I borrow the Dakota later to go pick it up?”

“I thought you went this morning,” he said. “Why didn’t you?”

“I wanted to ask you if I could borrow the truck, but I couldn’t get a hold of you. Don’t worry about, it’s not a big deal. I wasn’t going to take them this morning, anyway—how could I go to a priest all hopped up on downers like that? God, he’d think I was drunk or something. I’d probably knock over a censer and set the whole damn place on fire.”

“Well,” he said, “you don’t have to borrow it, unless you want to. I’ll take you right now.”

“Don’t bother,” she said. “I’ve got to go out, anyway.”

“I can take you to the police station, too,” he said. “Unless you don’t want me to.”

She laughed. “No, that’s all right. I’m not going.”

He considered this at some length. “Father Barnett convinced you not to?”

“Not exactly,” she said. “He tried, I suppose. In his way. He told me this long story about some woman who forgave her husband four hundred times. Or five hundred. I’m not sure; I wasn’t exactly following it. And he read from the Bible. If I had been on the fence about it I don’t think I’d be convinced, but I don’t think I was ever going to go. I mean, I thought about it, and I know we talked about it, but I just don’t think I have it in me.”

“If that’s what you want,” he said. He thought about it, and then added, “I’m sorry your talk with Father Barnett didn’t help.”

“It did help,” she said, “he has a calming face. I told you.”

“His face,” he said. “Got it. Yes, you can borrow the Dakota. Why do you need it?”

“I need to go to Roddy’s.”

He ran through a list of possible courses of action. He could stop the car with a murderous squeal, like in a movie, and turn and shout, “For what goddamn reason?” He could offer to go to Roddy’s house for her, and pick up whatever she needed. He could reach over and slap her. He settled on the least aggressive response: “You’re not staying there, I hope. You know you’re welcome to stay with me as long as you need.”

“Aw, thank you, big brother,” she said. “But I was already planning it. But I need to go and walk Flip and Flora. And pick up some things, if I can remember.”

“Flip and Flora? His dogs?”

“Oh, speaking of!” she said. “Do you know that dog that’s always hanging around the church? Saint Roch, the one that Father Barnett dotes on? And the Red Hat ladies are always feeding scraps to? That little squirrely woman, Father Barnett’s secretary, she came in and said that it had been beaten half to death. They had to take it to the emergency room—or whatever the vet equivalent of an emergency room is, I guess.”

“Beaten? Like, by a person? How does she know it wasn’t another dog?”

“She says she saw someone run off. That’s not the strangest thing, though,” she said. “Apparently the mystery attacker also tore up her newly planted flowerbed.”

“I see,” he said.

“I see,” she said, mocking. “I see. You don’t say. Indeed!”

“I’m sorry,” he said. “I didn’t know what to say. Why are you going to take care of Roddy’s dogs?”

“Well,” she said, “someone has to. He’s going to be at the Mayflower until late and he doesn’t have time between jobs to go and walk them. So I do it. And if I’m not there, who will? It isn’t the dog’s fault, after all.”

“Let me do it.”

“No,” she said, and fished a lighter out of her purse. She took one his cigarettes from the pack sitting on the dashboard.

“Don’t do that,” he said.

“Why?” she said. “Because their yours? Or because they’ll destroy my poor, virgin lungs?” She cupped it in her hands and lit it. “Do you know what Maura said to me last night? She said you’re emotionally stunted. Those are the words she used: emotionally stunted. God knows where she picked them up. Probably Dr. Oz. She said that it was unbelievable that you could walk in and see me ‘battered like some Kennedy-era housewife’ and stand there with your hands on your hips and say, ‘What happened?’” Her impression of the impression was flat, deadpan. “And she told me that there was something wrong with a brother who gets on my case every day about smoking cigarettes, but can’t find an ounce of rage when something like that happens.”

“I see,” he said. “What should I have done?”

“Nothing,” she said. “I didn’t say I agreed with her. I told her that you were a stoic. Very old school. Besides,” she said, tossing the mostly intact cigarette out the window, “her brother is eight years younger than she is and built like a grasshopper. What does she know?”

When they pulled up at his house he gave her his hand to help her shimmy, one-armed, out of the Dakota. “Holy shit!” she said. “What happened?” He looked down—spots of blood, the color of oil, showed on his shirtsleeves. She pulled him into the bathroom and took a bottle of hydrogen peroxide from beneath the sink. He pulled up his sleeves and exposed his wounds, which were deeper than he realized, and still leaking blood. Once she had washed and cleaned them, one-handed and gingerly, she wrapped them with the gauze she had brought home from the hospital.

“You know, it’s strange,” said Father Barnett. “I find myself in something of a parallel situation.” Adam studied his features. They were as childlike as Angeline had said—funny he had never noticed until now—and his very adult manner of sitting back in his great leather desk chair and crossing his legs, so that his thin ankles displayed his argyle socks, did nothing to make him seem older. He was holding a tumbler of clear liquid that Adam knew was seltzer water—he had been given one, too—and the general effect was of a child playing priest. “Do you know Saint Roch, the parish dog? He was attacked this morning outside in the yard. Miss Grembowicz saw the whole thing. Apparently she was too frightened to go out and confront the man, so she went straight to her little office to pray. When she went out there she found the poor thing limping around in the woods, trailing blood. It’s inconceivable. And it’s been rather hard on me—I’ve had him from a puppy.”

“It isn’t quite the same thing,” said Adam.

“No, it isn’t,” said Father Barnett with a nervous laugh. “You’re right. I certainly didn’t mean to imply that your sister is anything like Saint Roch. What happened to Angeline is infinitely worse. But isn’t it strange how we sometimes find it so easy to forgive others for what they do to us, but so difficult to forgive them for what they do to those dear to us? It’s not totally different, you have to admit.”

“But it isn’t up to me to be forgiving, is it, Father? I mean, Angeline can do the forgiving herself. The dog can’t, really.”

“Oh, I don’t know,” said Father Barnett. “Dogs are wiser and capable of more compassion than we give them credit for. I truly believe that. Who says they can’t be forgiving? Besides,” he added, “I think you’re wrong. We must learn to forgive when we are not the victim, because it is more difficult. Angeline’s forgiveness may matter more in the long run, but we too must be forgiving. Yes, I said we! I am just as angry as you are about it.”

“I’m sure you are, Father,” said Adam. “I think she may be farther along than any of us—did she tell you that she’s going over to his house tonight? To walk his dogs. I can’t imagine the kind of strength it takes to go back there, after all that.”

“Hmm,” said the priest. “How do you feel about that?”

“I trust her judgment,” said Adam. “And I don’t think that he’s going to be there. He’ll be at the Mayflower, all night. That’s why she has to walk them, actually.”

“Right, right. She said something along those lines. Do you think he treats his dogs well?”

“Excuse me?”

“His dogs,” said Father Barnett. “Do you think he abuses them? They say that cruelty to animals often prefigures cruelty to people. I read in an article that many serial killers start by killing stray cats, you know.”

“I don’t think he’s a serial killer.”

“No, of course not,” said Father Barnett. “But he has shown himself to be violent.”

“I don’t know, Father,” said Adam. “I think if the dogs were being abused, Angeline would have said something to me about it. Or done something about it herself. She’s always been that way. But about forgiveness—”

“Of course,” said Father Barnett. “You know, it won’t be easy, at first. There is much anger to work through.”

“How do you do it?” Adam asked. “How is it done? Is it just a matter of saying the words? Or is it a matter of feeling? And how can you force a feeling?”

They were interrupted by the phone ringing. Father Barnett answered it and listened quite solemnly, then said, “Thank you for letting me know,” and hung up. He sat at his desk in silence for what seemed like several minutes, and Adam wondered if he should repeat his question or let the priest’s moment of contemplation pass. Then, suddenly, the silence was interrupted by the crash of glass on the rectory wall, where Father Barnett had thrown his tumbler of seltzer water. The wood paneling was chipped and darkened by the splatter of water, flecks of which reached from the floor to the ceiling. Father Barnett picked up another tumbler from the side-table set on his right as if he were going to replace the one that was destroyed, but threw it at the wall, too, with an equivalent shatter. Then he put his face down on the desk behind his crossed arms.

“I’m sorry,” he said, his head rising after a short time. “That was the vet. It seems—it seems that Saint Roch’s wounds were too serious, and that he will have to be put down. What an awful world we live in! What a den of iniquity! It makes you hope for another flood sometimes, or the fire that God rained down on Sodom. Or that the ground will open up and swallow us whole.” Tears lingered in his eyes, then fell.

“Perhaps the man who did it was a tortured soul,” Adam suggested. “Maybe it was a reaction of momentary anger. Maybe he regrets it deeply.”

“Let us hope he does,” said Father Barnett. “Oh, you must think I’m awful throwing those glasses like that. I hope you don’t think I act like that all the time; I don’t. But that’s the way my anger took me. And they’re only glasses, after all.”

“I see,” said Adam. “Do you feel better?”

“Excuse me, Adam. What a poor servant of God I am being today! You are here for my counsel, and I’m bothering you with my own issues. Let me tell you a story. Maybe it will do us both some good.” He wiped his face with the sleeves of his shirt and tried to gather his dignity by sitting upright in his chair and resting his arms on the desk. “It isn’t my story, really, it belonged to my uncle, who used to sit in this office when he was priest. You remember him, I’m sure. He told me about a woman who used to belong to the parish who had a very difficult husband. He was a drinker, you see, and though he didn’t abuse her, he mistreated her in every other conceivable way. He would go out drinking at night and not come home until the morning, or stay away for days, and he would cheat on her with women he would meet in bars, and spent unheard amounts of money on alcohol, and presents for his girlfriends, and every now and then he would wreck the car, though he never did hurt himself or anyone else, thank the Lord. One day my uncle asked her how she could endure it, and do you know what she said? She said, ‘Father Barnett, does the Book of Matthew not tell us to forgive not seven times, but seventy times seven?’ And apparently she had been forgiving him for years, not just for the big things—the drinking, the girlfriends, the money, and I think there may have been some gambling in there, too—but for the little things, like when he would forget to pick up the laundry, or curse in front of the Ladies’ Auxiliary, or leave his pants hung over the banister instead of putting them in the laundry hamper. And all that time she had been keeping a count of how many time she had forgiven him, and once she reached 490—that’s seventy times seven, 490—she would leave him on the spot, forever.

“And so the years passed, and she kept a tally in her heart of all the wrongs he had done. Eventually he reached 489, and she packed a bag. But she found that it had become more difficult not to forgive—so when he broke a plate in the kitchen, she told herself that it wasn’t anything even worth forgiving, and besides, she couldn’t leave him because he broke a plate. He was rude to her mother, but she reasoned that he had had a difficult week at work and that he wasn’t trying to be malicious after all. He forgot to mow the lawn as she asked, but so what? And the number of times she forgave him slowly crept into the five-hundreds. And then one night she got a phone call: he had been in a car accident, and as she rushed down to the hospital she decided that as soon as she was sure that he would be all right she would leave him on the spot, because she knew in her heart that he had been drunk driving. And when she walked in to his hospital room, she saw him lying there, his arms in casts, hooked up to an IV and his head wrapped up—”

There was a knock at the door and a middle-aged woman entered. “Excuse me, Father,” she said. “But I’m about to go out and I was wondering if the church might be able to spare some money to replace the tulips in the flowerbed outside. As the only Catholic church in town, you know, I feel that we have a responsibility to put our best face on, so that—my god! That man!” She pointed at Adam. “That’s the man I saw! He’s the one that attacked the Saint Roch! And he tore up the flowerbed!”

“Miss Grembowicz,” said Father Barnett, “you must be mistaken. Adam has been a parishioner here for years—”

“I did it,” said Adam. “I’m sorry, Father. I don’t know what to say, but I can’t lie to you. I did it and I don’t know why. I had a bouquet of flowers you see, and—well, it doesn’t matter why. I don’t have a reason that makes sense to me, and I can’t expect it to make sense to you, either.”

He considered his options during a nervous, uneasy silence. Should he drop to his knees and beg for forgiveness? Should he get up and walk away, and leave Father Barnett to consider his apology? Or perhaps they should go straight to the confession booth.

“Miss Grembowicz,” Father Barnett said quietly, “I need to speak to Adam alone.”

When she left, the priest said, “Adam, I—” But that was as far as he got before his face twisted up and grew dark. “No, no,” he said mysteriously, and he picked up the phone receiver and hit three numbers. Adam took this as an opportunity to leave.

At home, he found Angeline at the kitchen table, in tears. It was a strange, strange sight. “Are you all right?” he asked. “Have the police been here?”

“The police?” she said. “God no, why would the police have been here? Jesus, Adam, did you call the police? You know I said I didn’t want to! I swear to God, if they come here, I’ll—”

“No,” he said, “I didn’t call them. It’s just that—never mind. I was confused. Are you okay?”

“No,” she said. “Roddy’s been texting me for hours. I haven’t written him back, but he won’t stop.”

“Turn your phone off,” he said. “Put it away. He can’t have anything worthwhile to say to you. He can’t seriously expect you to come back.”

“It isn’t that,” she said. “He isn’t asking for that. God, he’s such an idiot, he probably hasn’t even thought he has to ask it! No, he’s at the Mayflower, and he thought that he could get a ride home from one of his coworkers, but he can’t. And his aunt is out of town, and he has no one else to call. And it’s just like last night, when he needed me to pick him up in the Dakota, and I just forgot and turned my phone off and went to the movie with Maura.”

“You don’t owe him that,” Adam said. “You don’t owe him anything.”

“Owe him? Who said anything about owing anybody anything? It’s six miles from his house to the Mayflower and he’s still got that bad knee from Afghanistan. It nearly killed him to walk home last night, Adam, his knee was swollen up like a cantaloupe. He goes through such pain with that knee you can’t even imagine. And I can walk the dogs, but I don’t know if I can—”

“I’ll go,” he said. “Let me do it.”

“No,” she said. “It’s not yours to do.”

“Don’t argue,” he said. “I’ll do it. I want to do it.”

He came close enough to her that she could bury her head in the crook of his arm. He could feel the wetness of her tears on the fabric of his shirt and he thought, perversely, of the water dripping down the oak wall of the rectory. “Where have you been?” she asked.

When the dogs were walked and the medicine retrieved he took the Dakota out in the fog-ridden night with what he hoped was a clarity of purpose. He felt desperate to forgive and make penitence both, but there were no forms to sign and he could not, as Angeline could, find the threshold of the spirit that made such things clear. He was a practical man and had practical ideas, and so he decided that he would give the boy the Dakota.

It had a satisfying foolishness. Instead of picking him up and taking him home, he would simply hand him the keys to the truck. It was six miles from Roddy’s house to the Mayflower, but eight from the Mayflower to his own home and once the deed was done he could walk his long penitence. No, he would refuse the boy’s insistence to drive him home; besides, he couldn’t very well bring Roddy to the threshold of his own home where Angeline was—God willing—asleep, could he?.

It was nearly midnight but the Mayflower was still full when he walked up, keys in hand. It was a warm night and the outdoor tables were inviting to teenagers, still punch-drunk on the freedom of their summer evenings, and certain older folks prone to wild abandon. Mosquitoes thronged at antique globe-lights. Roddy did not seem to be among the aprons and paper hats.

As he passed by he heard a woman say to her companion, “You know, the one that always hangs around with that priest. A whole bunch of kids beat it to death, and vandalized one of the church walls, too. Never caught ‘em. Wouldn’t surprise me if they were here tonight…” He felt the color in his face rise and hurried past, turning his glance away.

He asked for Roddy. A stout man with a managerial look gestured to the back kitchen, which Adam took as permission to enter. A couple of cooks and a dishwasher—in the same aprons and hats—looked at him askance. He turned a corner where he found a long metal table half-laid with linen, where a young man was studying the ticker-tape of a cash register. He looked up as Adam approached, and his eyes seemed as white as the bare sleeves of his arms, whiter than his collared shirt. It was a look of surprise, and then fear, and then he took off through a near door.

Instinctively, Adam ran after him, calling out to wait, hold on, hear him out. Roddy led him through a miniature labyrinth of back rooms filled with toilet paper, ticker-tape, and old signage, dusty backrooms that may have been more practical when the restaurant was build sixty years ago. Roddy bound through like a man familiar with them, making sharp last-second turns into new rooms and at last, flinging open a pair of doors, out into the night. Together outside they crossed a short lawn and stumbled down a precipice toward the tree line, where they disappeared into the woods. Behind them, the hive-like murmur of the crowd, hidden behind the restaurant itself.

As they ran farther from the light the trees became almost unnavigable, and here where the territory was unfamiliar to both, Adam began to gain ground. He could see Roddy fighting with his apron, which was prone to getting caught on tree-limbs and bramble. His knee, too—the one Angeline said he had injured in the Army—was beginning to buckle and with each step he was listing farther to one side. “I don’t want to fight you,” Adam shouted as he pulled within reach, “I only came to give you something. A good thing—a gift!” But it was no good; it must have been baffling.

Soon they crossed through to a lightless span of clay ground. They were flanked by dark shapes, looming: bulldozers and backhoes, like sleeping brontosauruses. Weary and stumbling lopsidedly, Roddy turned around in a defensive crouch, and even in the poor light Adam could see that he looked like a man expecting his own murder. “Please,” Adam said, “I—”

But he was interrupted by the searing buzz of something hard passing by his face. It was a piece of pipe that Roddy had picked up in the mud and swung at him, but his balance had been poor and he faltered. “You sonofabitch!” Adam cried, and while the boy was still unsteady he pushed him down into the mud and fell on him. “You weak, pathetic, piece of absolute garbage!” He wrested the pipe out of the boy’s hands, which were thin and flailing, and began to strike at him. It was lighter in his hands than he expected, only PVC and not lead as it had seemed in the dark. Still, Roddy elbowed and bucked, protecting his face with the flanks of his wrists. Adam struck wildly, frustrated that the pipe could not fall harder.

“My wrist!” Roddy cried out. “I think it’s broken!”

Were those the first words he had said? Or had he been yelling out the entire time?

“It isn’t broken, you ass,” Adam said, rising to his feet. He took the pipe and swung it into blackness. “Get up.”

Roddy sat up in the clay and tested out his wrists.

“You idiot,” Adam said. “I came here to give you something. My truck.” He held the keys out and jangled them, as if it were proof.

“What?” Roddy said. “Why?”

“No questions,” Adam said. He thought for a moment and said, “I can’t exactly explain why.”

“Is it like, a ‘no hard feelings’ type thing?”

“No,” said Adam. “Definitely not. My feelings are still very hard.”

“What?”

“I’m giving you the truck because you don’t have one. And I don’t want you to walk six miles back and forth to work every day and inflame your knee. Your life will be better with a truck.”

“Won’t yours be worse?” Roddy asked.

“Yes,” Adam said. “I guess it will.”

“You’ve rigged it,” Roddy said. “There’s a bomb in it.”

“Don’t be stupid.”

“Or you’ll wait until I’ve driven off and call the police and tell them I stole it from you.”

Adam shook his head. “I could have you arrested already if I wanted. But Angeline doesn’t want to press charges.”

Roddy thought for a moment. This, his face showed, was unsettling but certainly true. “She doesn’t?” he asked. “Does that mean she’s okay?”

“Her radius is broken,” Adam said. “That’s the long bone in your forearm that stretches from your elbow to your palm, here. And she has two black eyes and a baker’s dozen worth of bruises on her arms and chest. And she spent all evening walking your dogs and crying about how you would get home from work.”

The boy hung his head. “I should treat her better,” he said. “I know that.”

“You won’t get the opportunity,” Adam said. “Her judgment is better than that.”

“So it’s a trade, then?” Roddy said, showing some reserve of fervor. “The truck for the girl? No sir, I don’t want it. You can’t buy me off with a—with a Dodge Dakota!”

“Look at me, Roddy,” Adam said. “Look into my eyes. You know it isn’t up to me.”

His hung his head again and let his shoulders sag beneath some horrible, invisible burden. A heavy truth. Slowly and carefully he lifted himself out of the clay and walked toward Adam, taking the keys from his hand. “Thank you,” he said, “for the truck. I’ll take care of it, keep it running well. I can do that sort of thing. Hey, it’s not a manual, is it?” Adam shook his head. “Good, I can only drive automatic. I’ll take care of it, and you’ll see. I’ll do better, and when she sees that she’ll change her mind. We’re meant to be.”

They walked silently back to the restaurant. It struck Adam as a right silence, the absence of unnecessary words that might cloud their understanding of what had happened. He had meant to do something, and he had done it, and there was no use talking. He could still perceive the bitterness of his loathing, but he was able to hold it at arm’s length.

In the parking lot, a police car, lights turning, was blocking the Dakota. A pair of policemen stood by it, peering through the window. His good deed left Adam chastened, and he walked toward them with a feeling sunken but clean. He had made forgiveness and now his penitence was to follow. “Excuse me officer,” he said. “Is there a problem?”

“Is this your car, sir?” one of them said.

“No,” Roddy beamed, the keys still in his hands. “It’s mine.”

Suddenly, they had Roddy turned around, his face planted on the Dakota window, his wrists—beginning to show black on their red welts, Adam saw—being handcuffed. He wailed in protest. “You promised!” he cried, and then when they read the charge to him, he let out a baffled mewl, bucking like he had in the clay, and Adam felt the same curious thrill he felt when striking at him with the pipe, and the same satisfaction as when he had beaten Saint Roch for devouring the flowers, and could not compel himself to object. In a brief moment it seemed as if the boy had broken free and was headed for the woods again but instead he collapsed with a howl, unable to clutch at his eyes. The policeman calmly clipped the pepper spray back onto his belt before they lifted Roddy into the cruiser and were gone. It all happened proverbially fast.

When they were gone, Adam climbed onto the hood of the Dakota to sit and think. The restaurant patrons resumed their conversations—which only then he realized had been halted as they watched the arrest—but they blended into a low babble and did not disturb him. In the end, what had happened? Was it justice? Was it mercy? It seemed impossible to say. The dog was dead and the truck was still his but he had tried, tried hard, to make his amends, until the very end. Perhaps there was something left to be done, he thought, and began to walk home.

Sunday, May 15, 2011

Elegy

Skies too dark to look upon whip wildly without wings, needlessly empty, soulfully damned. Moisture descends like a dove: Peace on earth, good will to him; he stands, slowly, softly, succinctly, no wasted motion; raises something to Heaven. Hands high as lightening, luminescent, languidly whirling, twisting, swirling. The atmosphere, pushed into a sphere too small, smashed flat, openly mocks the mourning mouths below. “Hallow!” it howls, twisting wrists and breaking bricks. Cries rise higher, ending nowhere, lost in the vapor like pulp in paper.

Streets bleed black, staining soles of the souls on top, while beneath its surface, corpses undiscovered rot covered in blacktop, not lost in cement; the mob might have given up when no foundation was found, “If it's underground, it's ok.” They remain decomposing, dense, detailed, empty eyes staring into solid stone, muscle atrophied in cast-iron casts, arms splayed in sordid summation: “This happened.”

He feels death is cliché, cold, calculating, predictable. He smiles with his hands, pushing, pulling, tossing dirt into the abyss. The blacktop walkway wanders round and round--blind, boldly blundering in an endless loop, “I am here, I am here, I am here.” And another shovelful falls, filling ravines and covering mountains, peaks freezing, wilting in the winter shower.

And is it too much? The soil sits silently in repose as the man walks away. Dust through art, to dust thou shalt return. Those who are burned return to ash, but all return one day to the earth, dwelling deep inside, sighing, “I was here, and now I am gone.”

Sunday, March 27, 2011

King of Hearts

A thing you got to notice about Richard--not the first thing necessarily, but somewhere in the middle of the long procession of noticings--was that he wore a pendant around his neck in the shape of a hollowed-out heart, with a pink stone dangling from the inner point. He called it a pendant; really it was a necklace. Some weeks after I met him, in a solemn hush, he told me that it had been a gift for his girlfriend, but three days before Valentine's she had been caught up in the middle of a liquor store job and was shot--once, here, and he pointed to the place where the necklace lay on his chest--in the heart. This story impressed the hell out of me, but it seemed to have an even greater effect on women. So what if he used it to gain a little sympathy now and again, or a little comfort from another girl? Everyone knows sympathy and comfort are coming to a man who has suffered great pain.

But it didn’t always have the intended results. There was one girl, a smallish brunette in black jeans and ballet flats with a tattoo of a heart on the white flesh of her wrist. That heart tattoo gave him an opening, and not long after he pulled that pendant out and flashed the little pink stone in the dim tavern light I listened to him tell that story again. The phrases were the same, and the little flourishes too, as befits a man who lives with a story like that and tells it often, and the girl seemed as rapt as any other girl. And when he was done she placed her small white hand on his wrist and told him a story of her own.

The story, as best as I can recall it was this: When she was fourteen or fifteen she had been dating a senior boy who drove a car—and she loved that car, and she could remember the make and year and everything, but I myself don’t recall it—and often took her for rides in the country where she had grown up. I remember thinking that this was a quaint idea, but I have always lived in the city where driving is a chore so perhaps it’s not as antiquated as it seemed to me. In any case, he had come to pick her up one night to go for a ride in his car and they had some awful fight about something, maybe some senior girl—and this detail I have not forgotten; I remember quite vividly that she had forgotten and that she said “maybe some senior girl”—and so he left without her. Well, that boy and that car were sent spinning into a pole by a drunk driver not half a mile from her house. He would have been all right, survived at least, with a couple of broken bones, if the driver of the other car hadn’t had had two other DWIs on his record and—it hardly seems believable to me now—crushed the boy’s skull in with his own shattered muffler. They might never have known what really happened if guilt hadn’t ravaged that man so badly that he turned himself in some days later. That part seems hardly less believable than the rest. And to Richard’s credit he looked awfully sympathetic during the whole story, and when it was over, he asked her if that’s why she had gotten the tattoo, as a way of remembering. But no, she had gotten it on her 21st birthday.

And then it was as if his inner resources were simply drained away—he couldn’t find a single thing to say. You could see the machinery of his brain working, but they both fell silent. He seemed not to have expected this sort of response. Worse yet, that girl started quietly weeping, right there in the bar, and if I recall correctly she was the one who excused herself and shuffled off to the bathroom. “Yikes,” he told me afterward, “who would have expected that? Let’s go somewhere else.”

But I couldn’t stand the sight of him, and I left alone. Shame for myself outpaced my anger at Richard, as I had decided his story was a lie. Had that necklace ever really been intended for a girl? I hope so even still, because the image of Richard walking into some jewelry store or pawn shop with that lie already in his heart has been too much for me to bear. But either she was real and alive or not alive and never had been—for who could wear such a thing over their heart that way? Either it would be like opening a wound to fresh air, every day, and grinding one’s gash into the hard wall of living, or the grief of it would fade away and cease to matter. Which would be more unimaginable, or less bearable? No, a thing like that a man can do nothing with but keep in a box, beneath the bed or in the far reaches of a closet, for the rare occasions when he would wish to take again in his hand the great burning center of his life and hold it.

When I walked out of the bar I walked into one of those blue Havana days that New York puts on from time to time. The world seemed mendacious and worthy of my loathing. I turned up a street where a cluster of children fled from and returned to an opened hydrant, bare-chested, studded by opal sweat, and in such a heat I felt the smallness of my griefs, and grieved.